Douglas Ewart and Inventions, Velvet Lounge, 5/5/2007
I had the pleasure of seeing Douglas Ewart and Inventions last night at the Velvet Lounge here in Chicago. I've seen this band many times over the years, almost always at the Velvet, and in various configurations. Last night's band was a Septet, featuring: Douglas Ewart on clarinets, sopranino sax, didgeridoo and flute, Ed Wilkerson on tenor and didgeridoo, Mwata Bowden on baritone sax, clarinet, wood flute, and didgeridoo, Dee Alexander on vocals, Duriel Harris on vocals, Darius Savage on bass, and Dushun Mosley on drums.
I've also seen the band as a quintet, an octet, a nonet, and a tentet, with members such as Jeff Parker, Lester Lashley, Hamid Drake, Avreaayl Ra, and Wallace LaRoy McMillan.
Douglas always titles his concerts; last night and the night before were entitled "Good Friend Better Than Pocket Money." Well said Douglas.
The show started off with a quartet of Mwata Bowden, Darius Savage, Dushun Mosley and Duriel Harris taking the stage for a meditative groove that backed the poetry of the lovely Ms. Harris. Mwata played didgeridoo and also used a stick to strike the instrument for percussion, and the Savage/Mosley rhythm section put a nice steady groove behind them.
That segued into a trio of the other three musicians which ended up being a highlight of the show: Douglas Ewart on bass clarinet, Ed Wilkerson on tenor, and Dee Alexander on vocals.
In any case, back to the music: this trio played a truly sublime improvisation. Dee can do incredible things with her voice. With my eyes closed I could have sworn I heard an analog synth of some kind coming from the stage, but indeed it was Ms. Alexander's voice. Ewart and Wilkerson have a deep musical repoire they've cultivated over the years and it showed here as they wove their lines together, creating spontaneous counterpoint with incredible results.
A word about Ed Wilkerson: he's one of my favorite tenor players and hugely underrated for both his own instrumental musical abilities as well as his compositional prowess. His work with his big band, Shadow Vignettes (the subject of a recent documentary, Odd Eye O Mumbo Jumbo) as well as his innovative 8 Bold Souls. He's a fantastic player in the inside/outside tradition, and his tone makes me melt every time. There seems to be no note or phrase that escapes the wrath of his enormous sense of conviction that pervades his stage presence and music. Last night he was on as usual, and he is aging very well musically, fitting into every situation with restraint or boldness depending on the needs of the situation.
Another highlight of the evening was the opener of the second set that had Darius Savage switching to fretless electric bass and turned into a steady rocking, rollicking, marching number with an incredibly catchy melody and fantastic solos by Mwata Bowden on clarinet, Ed Wilkerson on tenor and Mr. Ewart on flute.
The didgeridoo numbers are always a treat for me. All 3 players, Bowden, Wilkerson and Ewart are excellent circular breathers so they can get into some deep trance and grooves which I always enjoy.
The only downside of the evening were the chatty folks behind me who stick out like a sore thumb at the Velvet which is well known amongst regular audience members as a sanctuary for quiet listening.
Douglas Ewart and Inventions will be back at the Velvet in June for two nights to celebrate a CD release of material culled from many appearances at the Velvet, a long overdue document of this band. I have no problem saying that every time I see Inventions I hear something magical happen.
I think I'm going to go back to the Velvet tonight to see the Great Black Music Ensemble big band. Word on the street is that Fred Anderson will make a return to performing after a lengthy hiatus by appearing with the band on June 10th. More details later.
Remainder:
Check out the republished articles from Bells, a '70s music 'zine, being reprinted by the folks at Metropolis [via AMN].
"Part One includes reviews and discussions of the work of Ornette Coleman, Albert Ayler, John Coltrane, Pharoah Sanders, Cecil Taylor, Archie Shepp, Sun Ra, Marion Brown, Roscoe Mitchell, Art Ensemble of Chicago, Don Moye, Anthony Braxton, Leo Smith, Oliver Lake, Julius Hemphill, David Murray, and others."
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Hi Daniel,
thanks for putting the notice concerning BELLS on your page.
Greetings from France
Klaus
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Submitted by Klaus on Mon, 05/07/2007 - 8:54am.My pleasure - thanks for republishing that treasure trove of material!
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Submitted by Daniel Melnick on Mon, 05/07/2007 - 9:04am.Great write-up Dan. Wilkerson & 8 Bold Souls were my gateway into the AACM world; I'm always curious to hear what he's up to.
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Submitted by Ryshpan on Sun, 05/06/2007 - 5:14pm.Right on, 8 Bold Souls was/is a great group and point of entrance into the world of the AACM. I only say was because they don't play around nearly as much any more. Ed told me last night though that they're going to be doing 4 or 5 nights in a row at the Velvet near the Jazz Festival so they should be able to really dig in. Frequency is the only other recent Wilkerson related project.
My favorite Souls record is still Sideshow with that wonderful version of Lonely Woman on it.
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Submitted by Daniel Melnick on Sun, 05/06/2007 - 5:38pm.Hi Dan- finally making regular visits over here, great blog! Thanks for stopping by my humble internet home. Mr. Ewart visited Santa Fe once in the '80s for a solo show at an art gallery downtown and had a terrible time with his breathing. This often happens when wind players come here, as it's 7,000 feet. But his show was still memorable, very introspective and wth lots of space.
pb
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Submitted by peter breslin on Tue, 05/08/2007 - 6:24pm.Hi Peter, thanks for the compliments and for stopping by to comment. I never thought of that issue in playing those kinds of altitudes but I guess it makes sense. Do wind players ever come to Santa Fe to train like marathon runners will? Get in shape at a high altitude and then you can kick ass back at sea level? Douglas is an yet another under-documented , under-recorded artists from the Chicago scene. He was born in Jamaica and raised from teenage years in Chicago and has some very interesting world views from his youth. I'm glad this group, Inventions will have a recording seeing the light of day soon. One of his other recordings, with his clarinet choir, is one of my favorite records of all time.
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Submitted by Daniel Melnick on Wed, 05/09/2007 - 6:47am.